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El Topo
by Alejandro Jodorowsky, 1970 (Spanish)
by Andrzej Wajda, 1970 (Polish, subt:English)
Hi, Mom!
by Brian de Palma, 1970 (English)
La Rupture
by Claude Chabrol, 1970 (English)
Le Boucher
by Claude Chabrol, 1970 (Spanish)
Domicile conjugal
by François Truffaut, 1970 (English)
L' Enfant sauvage
by François Truffaut, 1970 (Spanish)
Don Šajn (Don Sanche)
by Jan Svankmajer, 1970 (Czech)
by Luis Buñuel, 1970 (English)
¡Vivan los novios!
by Luis García Berlanga, 1970 (Spanish)
Beyond the Valley of the Dolls
by Russ Meyer, 1970 (English)
La Décade prodigieuse
by Claude Chabrol, 1971 (Spanish)
by Nicolas Roeg, 1971 (English)
The Red Baron
by Roger Corman, 1971 (Spanish)
A clockwork orange
by Stanley Kubrick, 1971 (English)
The French Connection
by William Friedkin, 1971 (English)
by Woody Allen, 1971 (English)
by Alfred Hitchcock, 1972 (Spanish)
Ultimo tango a Parigi
by Bernardo Bertolucci, 1972 (Spanish)
Silent Running
by Douglas Trumbull, 1972 (English)
The Godfather
by Francis Ford Coppola, 1972 (English)
Play It Again, Sam
by Herbert Ross, 1972 (Spanish)
Leonarduv denik
by Jan Svankmajer, 1972 (Czech)
Fat City
by John Huston, 1972 (Spanish)
The Life and Times of Judge Roy Bean
by John Huston, 1972 (Spanish)
The charme discret de la bourgeoisie
by Luis Buñuel, 1972 (French)
Bitteren Tränen der Petra von Kant, Die
by Rainer Werner Fassbinder, 1972 (German)
Jeremiah Johnson
by Sydney Pollack, 1972 (Spanish)
The Holy Mountain
by Alejandro Jodorowsky, 1973 (Spanish)
by Brian de Palma, 1973 (English)
by Federico Fellini, 1973 (Spanish)
La Nuit américaine
by François Truffaut, 1973 (Spanish)
Mean Streets
by Martin Scorsese, 1973 (Spanish)
Don't Look Now
by Nicolas Roeg, 1973 (English)
Don Juan ou Si Don Juan était une femme...
by Roger Vadim, 1973 (French)
Yasagure anego den: sôkatsu rinchi (Female Yakuza Tale)
by Teruo Ishii, 1973 (English)
The Exorcist
by William Friedkin, 1973 (English)
The Conversation
by Francis Ford Coppola, 1974 (English)

The first Coppola movie after The Godfather, this was a challenge and didn't make a great success, although it is a perfect language exercise in every aspect.
The Godfather: Part II
by Francis Ford Coppola, 1974 (English)
La Patagonia rebelde
by Héctor Olivera, 1974 (Spanish)
A Woman Under the Influence
by John Cassavettes, 1974 (Spanish)
Caged Heat
by Jonathan Demme, 1974 (English)
Grandeur nature
by Luis García Berlanga, 1974 (English)
Effi Briest
by Rainer Werner Fassbinder, 1974 (English)
The Yakuza
by Sidney Pollack, 1974 (Spanish)
The Texas Chain Saw Massacre
by Tob Hopper, 1974 (English)
Alice in den Städten
by Wim Wenders, 1974 (English)
Zeroka no onna: Akai wappa (Zero Woman - Red handcuffs)
by Yukio Noda, 1974 (Japanese)
by David Cronenberg, 1975 (Spanish)
One Flew Over the Cuckoo's Nest
by Milos Forman, 1975 (English, subt:Spanish)
Picnic at Hanging Rock
by Peter Weir, 1975 (English)
Love and Death
by Woody Allen, 1975 (Spanish)
Family Plot
by Alfred Hitchcock, 1976 (Spanish)
by Bernardo Bertolucci, 1976 (Spanish)
by Brian de Palma, 1976 (English)
L'Argent de poche
by François Truffaut, 1976 (French)
The Killing of a Chinese Bookie
by John Cassavettes, 1976 (Spanish)
Taxi Driver
by Martin Scorsese, 1976 (English)
The Man Who Fell to Earth
by Nicolas Roeg, 1976 (English)
Les Douze travaux d'Astérix
by René Goscinny, Albert Uderzo, 1976 (Spanish)
Murder by Death
by Robert Moore, 1976 (English)
by Dario Argento, 1977 (Spanish)
by David Cronenberg, 1977 (Spanish)
by David Lynch, 1977 (English)
L'Homme qui aimait les femmes
by François Truffaut, 1977 (Spanish)
Black Sunday
by John Frankenheimer, 1977 (English)
The Last Wave
by Peter Weir, 1977 (English)
The Duellists
by Ridley Scott, 1977 (English)
Hishu monogatari
by Seijun Suzuki, 1977 (Japanese)
Annie Hall
by Woody Allen, 1977 (Spanish)
La Parte del león
by Adolfo Aristarain, 1978 (Spanish)
Dawn of the Dead
by George Romero, 1978 (Italian)
by John Carpenter, 1978 (English)
La escopeta nacional
by Luis García Berlanga, 1978 (Spanish)
Within the woods
by Sam Raimi, 1978 (English)

This is a short prequel to The Evail Dead. It was the sketch for the first film, with an even more restricted budget.
by Andrei Tarkovsky, 1979 (Russian, subt:Spanish)
La Luna
by Bernardo Bertolucci, 1979 (English)
Fast Company
by David Cronenberg, 1979 (English)
The Brood
by David Cronenberg, 1979 (English)
Apocalypse Now
by Francis Ford Coppola, 1979 (English)
L'Amour en fuite
by François Truffaut, 1979 (Spanish)
Mad Max
by George Miller, 1979 (Spanish)
by Paul Schrader, 1979 (English)
by Ridley Scott, 1979 (Spanish)
¡Que Viva Mexico!
by Sergei Eisenstein, 1979 (Italian)

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